The scenarist as well as the director deserves to be appreciated for taking total control over the subject and also for having used Kalabhavan Mani with a complete understanding of his capabilities as well as his weak-points. The main highlight of the film is the script, which is far better when compared to usual Kalabhavan Mani-starrers. Baiju is his very usual self as Mukunda Verma. Suraaj Venjaramoodu, who appears in a couple of scenes as a film producer, succeeds in doing what is expected of him, i.e., send the audience into fits of laughter. Madhu Warrier is good as Kiran, an actor. Innocent is a let-down as Philip Tharakan and falters in sequences where he has to deliver dialogues in English. Swarnamallya cuts a sorry figure as Nandini and seems to be uncomfortable with the language itself. Bijukuttan, who plays the role of a constable named Balram, who assists Satyanathan, provides enough of comic relief. Kalabhavan Mani shines as Satyanathan, while Lakshmi Sharma puts in just an average performance as Sanjana. Satyanathan goes on leave and carries on the investigation on a personal level, while Nandini does the investigation at the official level. By then a lady officer from the CBI named Nandini, is brought in to investigate the case, and Satyanathan is again sidelined. He believes that someone else was the killer. Satyanathan however, is not convinced and draws his own inferences. Sanjana, after relating her past, admits to killing Vimal Roy. As the story unfurls he learns that Sanjana was Leelamma earlier and used to live in Goa. His investigations lead him to film actress Sanjana, whom he questions as part of the investigation. Though others in the police force want to dismiss it as a suicide, Satyanathan believes that it is a case of homicide takes it upon himself to go into the depths of the case. In the meantime the dead body of freelance photographer Vimal Roy is found in a tile factory. However, Satyanathan has an ally in Philip Tharakan, the kindly Superintendent of Police. Even Mukunda Verma, who is just another Circle Inspector like Satyanathan, doesn’t spare any occasion to make insulting remarks. Kerala Police tells the story of an honest and upright police officer named Satyanathan, who is ridiculed and sidelined by his own colleagues in the police force, just because he comes from a backward class in the society. The film is not extraordinary in any sense, but it is much better than most of Kalabhavan Mani films of recent times. In Kerala Police director Chandrashekharan has managed to elicit from Mani a performance that suits his acting capabilities, while making the film watchable on the whole. One can see him donning a white shirt which he paired with black trousers while others wore red and black coloured casual outfits.Kalabhavan Mani has after a long time got a film that could prove to be a hit. On March 5, 2021, he shared a snap from the success party. The actor recently celebrated the success of the film at Travancore Court with the other cast and crew members.
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Several fans called the sequel movie 'one of the finest' Mohanlal movies to date. It garnered a positive response from the critics as well as its viewers. The film was released on Amazon Prime Video in the month of February. Meanwhile, Mohanlal was last seen in a Malayalam mystery-thriller sequel, Drishyam 2. Kalabhavan had bagged the National Film Award for his performance as Ramu in Vasanthiyum Lakshmiyum Pinne Njaanum in the year 1999.Īlso read: Mohanlal's Movie 'Marakkar: The Lion Of The Arabian Sea' To Release On May 13, 2021 He was popular for his humorous characters and villainous roles. Kalabhavan Mani's movies were mainly in several languages such as Malayalam, Tamil, Kannada and Telugu. Kalabhavan Mani, who began his career as a mimicry artist with the Kalabhavan comedy troupe, had featured in over 200 films.